Everything seen and everything done is through a perspective. Turning something around, upside down, or any way to get an outlook through a different view point. My concentration could be told in a numerous amount of ways, the view of a child, the view at close range, and simply the view of an unfamiliar orientation. My concentration is best illustrated as the view at close range: shifting the ordinary view and dynamically electing certain portions of an enlarged image to reveal itself.
Quirky and oddly close. My concentration takes snapshots of mundane scenes and zoomed in at an intricate level. Commonly people look at familiar objects disregarding the true ravishing beauty it holds. In my concentration I surpass the average barriers set by the ¨norm¨ to alter an abundance of viewpoints in an audience. In #12 I grasp the look of an eye adding no color to show the true stunning appearance of an everyday common eye. Taking a prolonged period of time to treat the iris with meticulous intent to lure the overall curiosity. Not only do you need to be curious, you need to be open minded, in #11 I depicted an average piano with no spark. We can’t just see a painting and do simply that. We ourselves have to produce, wonder and explore the possibilities of why something is the way it is. In the piano I wanted to shift the typical ¨perspective¨ and create a thought process of the memories the piano could hold. In #3 the butterfly wing I used a bold composition to increase the highlights in the wing, along with #2 using shade and light to gain form. In # 1 the composition is angled purposefully to increment a idea of how the image is ¨feeling,¨ using contrast and shape.Through most of my pieces (1-4,10-12) I changed the visual aspect to a mental aspect and produced a network of new inventive perspectives.
Quirky and oddly close. My concentration takes snapshots of mundane scenes and zoomed in at an intricate level. Commonly people look at familiar objects disregarding the true ravishing beauty it holds. In my concentration I surpass the average barriers set by the ¨norm¨ to alter an abundance of viewpoints in an audience. In #12 I grasp the look of an eye adding no color to show the true stunning appearance of an everyday common eye. Taking a prolonged period of time to treat the iris with meticulous intent to lure the overall curiosity. Not only do you need to be curious, you need to be open minded, in #11 I depicted an average piano with no spark. We can’t just see a painting and do simply that. We ourselves have to produce, wonder and explore the possibilities of why something is the way it is. In the piano I wanted to shift the typical ¨perspective¨ and create a thought process of the memories the piano could hold. In #3 the butterfly wing I used a bold composition to increase the highlights in the wing, along with #2 using shade and light to gain form. In # 1 the composition is angled purposefully to increment a idea of how the image is ¨feeling,¨ using contrast and shape.Through most of my pieces (1-4,10-12) I changed the visual aspect to a mental aspect and produced a network of new inventive perspectives.